Showing posts with label talent. Show all posts
Showing posts with label talent. Show all posts

Saturday, February 6, 2016

Coldplay at Super Bowl 50: The Guitar Wrangler

Coldplay at Super Bowl 50: The Guitar Wrangler

Travelling with Jonathan M. "Jonny" Buckland brought out the best in me as a guitar player, but it's time to move on.

For three years, almost like an understudy, I’ve been his instrument “Wrangler” in charge of all his 20+ guitars: repair, maintenance, packing, moving, tuning, cleaning, and readying each one, for each song, of each set in Coldplay concerts.

Playing alongside him in rehearsals, bouncing riffs back and forth like Lebron James’ practice dummy: catching the ball, throwing it back… catching the ball, throwing it back… riff after riff after riff. While I’m actually doing Jonny’s mundane tasks I don’t think about it; it’s events like the NFL's Super Bowl 50 that make me think about what's next?

Wearing all black from head-to-toe, the best part of the job is bringing Jonny guitars onstage, sometimes changing in the middle of a tune. I pick up a little extra cash from Under Armour, one of the Coldplay tour sponsors, by wearing everything they make from shoes/socks, pants, hooded sweat-top, even black, sticky, football receivers gloves all sporting the interlocking “UA” symbol—I can’t drop guitars!



With the white-hot spotlight on the star and me in all black, I slip on and off the stage cat-like, never tripping on pedals, cords, amps, or speakers; each guitar is tuned-up, set to the right volume, and ready for another solo. The cat-burglar gets away.

It’s not quite like a NASCAR pit crew, but we have to keep accurate timing for a performance choreographed much like a Broadway play; what looks like a free-form, extemporaneous detour by one of the world’s best guitarists, has been practiced and tweaked like a daytime soap opera. 

The timing of a concert is exact, down to the last song. Only the encores are off the clock… The audience earns the encores, which are truly made-up as they play them. Coldplay’s Super Bowl 50 halftime is scheduled by the second, and we’ll probably only play three songs (that's a secret). 

As big as the band is, we're just a few chaps from University College who'll get to perform in front of 100 million people on a stage in the middle of a bloody football field. (They're so humble they are performing for free; ironically, Jonny's favorite "football" team is the Tottenham Hotspur Football Club, which plays a different kind of game):
"I think we're firmly split down the middle between those of us who know absolutely nothing about football, and those of us who know almost absolutely nothing about football," said Buckland.

The instruments are Jonny’s tools, like a surgeon, and he principally uses a '72 Telecaster by Fender, which is like a Strat. Jonny Boy occasionally straps on a Gibson Les Paul, and sometimes even a Rickenbacker. More than 20 guitars used by Buckland provide a unique sound to accent Chris Martin’s lead vocals. 

In the last two CDs there have been guitar solos revealing his incredible talent:

Look to "True Love" off of Ghost Stories CD at 2:57 on the track; compared with "Up&Up" off their latest album at 3:19 in the song. There are more guitar solos I could quote you, but those two will do the trick.



Through the years, working with Jonny helped me develop the craft of songwriting, mostly considering the context of my work and the audience for whom they played. But songs are also written to express my own thoughts as a reflection of my ideas, or an expression of my personality. In a purely binary, economic analysis, songs are considered only on popularity or commercial success; but that structure has changed, music has more channels now in which to be discovered. My creativity cannot be too heavily influenced by my background as Coldplay’s guitar wrangler, as enjoyable as that experience has been. The music means more than the medium.

For me it has always been about the guitar. As an aviator or driver it is all about the vehicle, for a singer it’s about the voice, and in coaching, the victories. For me it is about the instrument. The rhythm, which provides structure for the song, the tone, which provides melody, and the chords, which undergird the accent of the words; all come from the lead guitarist: he’s the straw that stirs the drink. My inherent talent uses my eyes, ears, and fingers in coordination to play one of the most important instruments in the music industry. It was what I was made to do, and now I must be more purposeful about this gift.

After our 15-minutes of fame end with the halftime of Super Bowl 50, and I take off my black ninja suit; we’ll probably finish the evening back at the hotel playing our guitars, inventing new riffs. I may not even remember who won the game?
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#FanFiction (2016) ©Mark H. Pillsbury



Friday, December 27, 2013

#saraBmusic - song: Manhattan (Live at the Variety Playhouse) from The Blessed Unrest


The tender-hearted ballad of Sara leaving Manhattan:

"What's holding us together is simply fear of what's already changed."
 
Try to listen to this without thinking back on all the endings you've experienced?
 
The words and music are simple and profound; beautifully sad, and sublime. Again, let me dedicate this to my classmates in HP 1983; with whom I shared so much back in September.
 
She is a a major talent, just waiting to break out.
Good-bye 2013... Auld lang syne. --Mark

Thursday, January 19, 2012

bono and chris martin - what's going on - YouTube

bono and chris martin - what's going on - YouTube:

'via Blog this'

U2 and Coldplay have a sibling rivalry going on...


I know from growing up in a family of brothers, things are said about each other often that one wishes one could take back. As Coldplay rises to the top of the charts, Bono has said derogatory things about musical brother Chris Martin. Both groups keep a keen eye on each other and even use the same producer, Brian Eno. As it sounds confusing talking on the phone to some brothers, each band sounds like the other on some of their recent songs. Listen to "No Line on the Horizon" [U2] and "Mylo Xyloto" [Coldplay] on separate nights and the similarities are obvious.

I've seen both groups live, one in the Rose Bowl and one at the Woodlands' pavilion. Listening to the recent albums side-by-side, there is no clear winner. Neither group conquerors the other; indeed, their kinship is almost endearing, their talent cut out of the same clothe. U2 and Coldplay work on the same side of the street. Their DNA is so close, their audience so similar; the differences are infinitesimal.

Coming from a family of brothers makes me happy to see these British rock-n-roll brothers sync up so flawlessly. Any differences are humorous, tensions illusory. Musically the space between the two super-groups is minor, the talent immense. May they long live in harmony and unison despite the huge egos inherent in this business. Following these groups is like knowing that eccentric band of brothers that everyone wants to party with, but no one wants to choose between. It comes down to taste or mood. I love them both.

Twitter:

@_U2_

@coldplay
@markpills

(c) Mark H. Pillsbury

[dear YouTube: the use of the link or any other copyrighted material from U2 or Coldplay is legal under the "fair use doctrine" and is not an infringement of copyright laws, per 17 U.S.C. 107]