Saturday, April 13, 2013

Part II: Tribute to the lost firefighters of 9/11, continued... second installment:


[Author's note: the first installment of my fictional 9/11 series was written 18-months ago, but listening to Brene Brown, and a trip to New York prompted more writing about the family O'Keafe. Although the tragic events of September 11th are painfully true, everything written below is fiction]
[any connection to deceased is coincidental and not meant as a truthful reference]

Escape

Out on the lake, in this pristine state park, Michael cleared his head. Fishing pulled his dad out of his comfort zone, onto a battlefield without sure footing. Whether the quiet nature of the sport, or the serene isolation of this oasis, Michael’s excursion into the suburbs today reminded him of Tim McGraw’s song: Live like he was dyin’ “All of a sudden goin’ fishin’ wasn’t such an imposition.” Michael could see things as they are (or were) meant to be seen on this clear September morning. (see previous post, September 10, 2011; a bad day fishing...) http://rostranovum.blogspot.com/2011/09/my-9-11-tribute-in-fiction.html

Unfortunately today he confronted the rawness and ugliness his father showed him over the years. A constant, intimidating flow of his upbringing’s lifeblood, gave course to fear and spread the worst contagion a parent bestows upon his children, that which is called shame. Today Mike felt strong enough to “feel,” down to the core, being open to joy and pain; most importantly owning all the shame poured over him through the years.

Shame wasn't exactly overt in his home, but it represented a strong O’Keafe family value. It wreaks more damage than a viral outbreak, because shame says to an immature child that you are not loved or lovable unless you meet often sensible, yet arbitrary expectations of the parent. Shame makes a kid feel small. Its potent sting paralyzes creativity and its anguishing power overcomes even the strongest-willed child.

Shame stunts in a child the ability to learn self-compassion because it is graceless, watchful, and critical; outweighing any compliment with a deluge of correction. Michael realized that Jim O’Keafe’s standards were held up, idolized, and projected upon his children; and to those who could not reach them; well, they were de-valued and unfit. As Michael engaged in this session alone with his thoughts on the lake, the engine off and no wind to drift the boat; his mind wandered off while watching the end of his line for tugs:

“Why didn't I study art in college?" he thought, "At least, then dropping-out would've been for the honor of art and not because I skipped too many classes, failed too many tests?” The pursuit of art slipped away from Michael once enrolled in the Fireman Academy, even though his dream of painting with oil and watercolor lived vividly in his subconscious. During unhurried, deliberate days filled with slow creativity, not rushed by pursuit of disaster; Michael expressed himself carefully, with great fulfillment. Did he become a fireman for the same reason his brother did, because their father willed them into the inferno?

Grieving his dreams became more important than catching fish today.

Existing in warm California, not New York; his fantasy artist life reflected a contemplative environment reduced to the priority of communicating the struggle and strength of life on canvas or paper. He taught art at a Junior College to make a living, but spent most of his hours pensive, smocked, and painting. Despite his love for impressionists his painting conveyed a sharp realism. He visualized and illustrated “real things” with an eye for natural beauty.

“I love to include enough detail so that the inquisitive mind must take apart the pieces of the scene like a puzzle,” Michael told his brother Patrick sometimes when they would talk during one of his exhibits, “The natural world is so complex, even without humans in my paintings; sometimes it’s beyond the viewer’s skill to unravel it?” Michael continued passionately, “I relish that difficulty, that tension; it is a big part of my fascination with art’s mystery.”

Jung said, “Nothing has a stronger influence psychologically on their environment and especially on their children than the unlived life of the parent;” as I sit here today, I believe my family denied me the freedom to describe, analyze, and interpret art, or life, for that matter. I did what I was told, mostly; even to the point of enrolling in the Fireman Academy; however, art, or the pursuit of art, saved me.

Michael believes his art is a creek or stream off of a mighty tributary called vulnerability. Art’s headwaters are from an energetic source which generates creative channels of light and life, but vulnerability is the courage to engage in all of life, whether good or bad, fortunate or dreadful. Today, on this lake, he is dealing with his upbringing, relationships with father and brother, and even the unfulfilled dreams of a thirty-something fireman from New York City. He sits serenely, the water laps against the boat.

Suddenly, Michael snapped out of his dream when a silver American Airlines jumbo-jet roared overhead flying low along the Hudson River, very close to Harriman Park. So close to the ground he saw the red glow of the turbo-jet engines; this airliner seemed to be racing too fast for a typical coast-to-coast journey of a jumbo-jet coming out of JFK. It pointed southward toward the city, rather than rising ascendant to a normal cruising altitude. His gut wrenched while his mind puzzled; Michael immediately thought of his brother Patrick J. O’Keafe, strangely absent from this fishing trip and now at the center of Michael’s consciousness watching the silver bullet speed toward Manhattan. (to be continued...)

©Mark H. Pillsbury