Saturday, February 2, 2013

Movie Review: LINCOLN


DreamWorks film "Lincoln" (2012)

(Houston, Texas)  Movies allow us time travel, expanding our horizons, opening us sometimes to depths of emotion we did not realize we carried. History’s power as storyteller derives from actual events; yet knowing the end of the story, the dramatic depiction still holds our attention. It happened to me watching the new movie “Lincoln.” I wasn't impatient for the end of the movie, and hardly noticed its extreme length. I rarely recommend the time and money this film requires of its viewers, but I do today.

The adept telling of history strengthens the foundation of our Republic, grounding it ever stronger in the truth; allowing viewers to probe their ordinary world with the tools of experience. Director Steven Spielberg accomplishes the impossible task of telling Lincoln’s story with aplomb, placing special emphasis on the passing of the 13th Amendment by Congress in 1865. This central narrative showed how the abolition of slavery effected the drive toward peace in the Civil War.

Euclid’s simple scientific truth profoundly affected Lincoln’s thinking about human equality. Elemental to the geometry of Euclid was this statement, “things which are equal to the same thing are equal to each other.” Abraham Lincoln likened this principle as truth that could be applied to the fight against slavery: he saw the “same thing” as God; therefore, as equals created in God’s image, African slaves were equal to white Americans, however difficult the consequence of this truth. This is the only scene I will discuss, and even though it is short, its power is immense: Lincoln steadfastly believed equality under law was worth defending, even through the shedding of blood.  

The acting ensemble, including dozens of politicians, generals, and White House personnel, gave the appearance of reality while not taking the spotlight from the main character. Spielberg’s use of light in profile shots formed a corona from the differentiated rays of the sun blasting around Lincoln’s body in many scenes. This bright aura reflects his uncommon magnanimity; another way of visually showing the saintly reverence Lincoln deserves. Most of what we've learned about history is wrong, but this movie gives a fair account. The South is not demonized, the Congress is shown for what it is (a hyper-lobbied mess), Lincoln struggled with a difficult family life as the war raged, and the force of personality often superseded his political and intellectual talent.

The pantheon of Spielberg classics receives another member into its prestigious Hall of Fame. This movie is a national treasure and should not be missed. (150 minutes, DreamWorks)

©Mark H. Pillsbury

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