Showing posts with label truth. Show all posts
Showing posts with label truth. Show all posts

Sunday, December 11, 2016

Art Musings: What’s the Best Kind of Art?


The universal language of jazz, with healing in every riff.
One listens, absorbs, worships; contemplating life’s what-ifs.

A globule of oil, smudged or smeared, shaped into a lily,
Subtle strokes, airy blue hues, I wonder at such reality.

Translucent watercolor bleeds slightly over a boundary of pencil,
Underpinning the delicate pigment, lines serve as stencil.

Gelatin-silver, contrasting black & white images reflect off of shiny puddles, dotted with raindrops,
The suit, jumping shadows, almost purple-black, at one moment the shutter stops.

Rusting iron soldered at incongruent joints, splayed upon St. Augustine fields, baking in the sun.
Industrial art coexists with the elements, size and shape imbalanced, abstract, gargantuan.

Splattered, sprayed, sprinkled paint, explodes over a gigantic canvas,
Pollock expressed his colors wildly, understood by few of us.

Cerise mud, spun, fired, glowing in the furnace, glazed, painted, and shaped, still copper-red like the earth, The potter’s hands held the clay for what seemed a generation, gently letting it whirl away like a child growing up.

Words can seem scrambled, but go higher and deeper than any of the art you see or I saw,
I’ve read twice the number for pleasure, than I ever studied at law.

They spark with creativity, discussing many forms of art,
These media mentioned move me, but don’t go as deep into my heart.

Words bless, or harm, inform, enlighten with a mysterious power; but they can’t be taken back,
Sharp as a cutlass, pointed as a sword, plunged into flesh whether launched from defense or attack.

Comprehension or translation are lost on a wispy breath of the wind:
“Certains l'aiment chaud” they say, or
“I don’t know what you’re talking about?” 
Can you tell me that again?

Formed together in poetry, words escape the prison of definition;
Sometimes they flutter and sparkle in the dark, fireflies of cognition.

Do they bounce, echo, drift like shadow, lying through their teeth,
Poetry flows to the ocean of truth by the river of deceit.

Visual art as described above, takes the mavens to different places,
Fascination, imitation, contemplation; you can see it in their faces.

Reading a paragraph so skillfully crafted, its contention ringing true in my ears,
“Listen to this,” I’ll say, reading it aloud, truth’s reverberation bringing me to tears.

Pages layered into plot as rings inside a tree, hardened bark covers the story;
A book opens a thousand doorways, using myth, truth, and allegory.

“I am an invisible man, called Eustace Clarence Scrubb, and it was the worst of times,”
These snippets remind me of some of literature’s best opening lines.

Active, alive, and useful as a lamp unto my feet, the Bible.
I smell it like warm bread, knowing there is nourishment when I eat.

That place in my heart where the stockings are hung.
Warm, encouraging words are there; reading it I feel accepted, some call it “home.”

Opening this ancient text is, “Sursum Corda” meaning to uplift,
Dr. Luke's words tell of Christmas, and the most important gift.

Expounding more is wasting time, the art speaks for itself;
I will always look to get mine, from the dusty book shelf.

##

 Poetry 2016©Mark H. Pillsbury

Saturday, February 2, 2013

Movie Review: LINCOLN


DreamWorks film "Lincoln" (2012)

(Houston, Texas)  Movies allow us time travel, expanding our horizons, opening us sometimes to depths of emotion we did not realize we carried. History’s power as storyteller derives from actual events; yet knowing the end of the story, the dramatic depiction still holds our attention. It happened to me watching the new movie “Lincoln.” I wasn't impatient for the end of the movie, and hardly noticed its extreme length. I rarely recommend the time and money this film requires of its viewers, but I do today.

The adept telling of history strengthens the foundation of our Republic, grounding it ever stronger in the truth; allowing viewers to probe their ordinary world with the tools of experience. Director Steven Spielberg accomplishes the impossible task of telling Lincoln’s story with aplomb, placing special emphasis on the passing of the 13th Amendment by Congress in 1865. This central narrative showed how the abolition of slavery effected the drive toward peace in the Civil War.

Euclid’s simple scientific truth profoundly affected Lincoln’s thinking about human equality. Elemental to the geometry of Euclid was this statement, “things which are equal to the same thing are equal to each other.” Abraham Lincoln likened this principle as truth that could be applied to the fight against slavery: he saw the “same thing” as God; therefore, as equals created in God’s image, African slaves were equal to white Americans, however difficult the consequence of this truth. This is the only scene I will discuss, and even though it is short, its power is immense: Lincoln steadfastly believed equality under law was worth defending, even through the shedding of blood.  

The acting ensemble, including dozens of politicians, generals, and White House personnel, gave the appearance of reality while not taking the spotlight from the main character. Spielberg’s use of light in profile shots formed a corona from the differentiated rays of the sun blasting around Lincoln’s body in many scenes. This bright aura reflects his uncommon magnanimity; another way of visually showing the saintly reverence Lincoln deserves. Most of what we've learned about history is wrong, but this movie gives a fair account. The South is not demonized, the Congress is shown for what it is (a hyper-lobbied mess), Lincoln struggled with a difficult family life as the war raged, and the force of personality often superseded his political and intellectual talent.

The pantheon of Spielberg classics receives another member into its prestigious Hall of Fame. This movie is a national treasure and should not be missed. (150 minutes, DreamWorks)

©Mark H. Pillsbury

Friday, September 7, 2012

God Gets The Last Word: Cardinal Dolan's Pro-Life Benediction at #DNC2012

God Gets The Last Word: Cardinal's Pro-Life Benediction:

'via Blog this'


The current Archbishop of New York, Cardinal Timothy Dolan's sobering closing prayer at the Democratic National Convention last night reminded me of a classic scene, wherein parents come home from vacation a day earlier than planned on a late evening flight. 

At 2AM they pull into their driveway clueless, next finding 25 drunken teenagers spread across the living room in various states of consciousness and dress. The only thing anyone can say is nothing, as everyone bolts for the exits!

Watching these sleepy delegates' reactions to the benediction is priceless. My total respect for the Cardinal is unbounded as he speaks unflinching truth and humble prayers to God, of which they earlier tried to exclude from the platform. I could only feel astonishment that after 4 days of political platitudes; finally, someone spoke the truth to these poor folks. This clip is worth your time. [see link posted above; play time > 5 min.]

©Mark H. Pillsbury